Frederic Remington Art Museum Collection
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Frederic Remington Art Museum Collection Overview
Few American artists are as enduringly popular as Frederic Remington (1861-1909). His bronzes and paintings of the American West have become iconic images, shaping the way Americans view the history of the West. This generously illustrated volume is the first to examine the exceptional collection of his works housed at the Frederic Remington Art Museum in Ogdensburg, New York.
In his richly detailed portrait of the artist, Western art scholar Brian W. Dippie traces Remington’s life and artistic development. Drawing extensively on Remington’s letters, diaries, and other archival materials, Dippie explores some 100 of the most important works in the collection in the context of prevailing social, cultural, and political attitudes—including the ethnic and racial stereotypes for which Remington’s work is sometimes criticized today. An important addition to the Remington literature, this handsome volume highlights Remington’s impressive range and underscores his achievements as an illustrator, sculptor, and painter.
Frederic Remington Art Museum Collection Specifications
Cowboys and horses, adventure in wide-open spaces. The mythos of the Old West comes alive in the paintings, drawings, and sculptures of Frederic Remington (1861-1909). Born during the Civil War and educated at Yale University, Remington committed his life to making portraits of the American frontier. The Frederic Remington Art Museum Collection presents the collection of the museum founded by and housed in the former home of Remington's widow, Eva Caten Remington.
For much of his creative life, Remington worked as an illustrator for publications like Harper's Weekly. His renderings of life in the Old West were hugely successful, and some even accompanied an essay by President Theodore Roosevelt. His drawings displayed a strongly believable atmosphere:
[Remington's] illustrated scenes from the Apache War were rendered in a direct, spare and unsentimental style with an attention to detail that made them seem like snapshots of specific incidents. In truth, like much of Remington's reality, they were generalizations, not documents, created by extrapolating freely from firsthand observations.
Today Remington's work is often seen as problematic, and as evidence of the racist brutality that wiped out the American Indian culture and population. Of course, in Remington's time, his views of the frontier reflected those of most of the United States. Aside from these political complexities, Remington's work captures the imagery of a time and a landscape long gone. If you are fascinated by the Old West, then you should not miss this book. The book includes detailed commentary on the paintings and drawings, with 333 illustrations and 127 full-color plates. --J.P. Cohen
